"Frankensteinian" meaning in All languages combined

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "Frankenstein",
        "3": "ian"
      },
      "expansion": "Frankenstein + -ian",
      "name": "suffix"
    }
  ],
  "etymology_text": "From Frankenstein + -ian.",
  "forms": [
    {
      "form": "more Frankensteinian",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most Frankensteinian",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "Frankensteinian (comparative more Frankensteinian, superlative most Frankensteinian)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "categories": [
        {
          "kind": "other",
          "name": "English entries with incorrect language header",
          "parents": [
            "Entries with incorrect language header",
            "Entry maintenance"
          ],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "English terms suffixed with -ian",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with 1 entry",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with entries",
          "parents": [],
          "source": "w"
        }
      ],
      "examples": [
        {
          "ref": "1999, Niall Griffith, Peter M. Todd, Musical networks: parallel distributed perception and performance, page 313:",
          "text": "But when, with Frankensteinian hubris, we dare to create an artificial system and imbue it with the spark of musical invention in our stead, how are we to assemble its constituent parts to ensure that its behavior will be on the whole pleasing and majestic[…]?",
          "type": "quote"
        },
        {
          "ref": "2022 June 2, A. O. Scott, “Are the Movies Liberal?”, in The New York Times, →ISSN:",
          "text": "Moviegoing is no longer what it used to be, and the machinery that fed it is at present a Frankensteinian hybrid of tech, media, private equity and precarious labor.",
          "type": "quote"
        }
      ],
      "glosses": [
        "Of or pertaining to Mary Shelley's fictional Frankenstein, who created a monster from human remains."
      ],
      "id": "en-Frankensteinian-en-adj-UgIuiYXm",
      "related": [
        {
          "word": "Frankensteinish"
        }
      ]
    }
  ],
  "word": "Frankensteinian"
}

{
  "etymology_templates": [
    {
      "args": {
        "1": "en",
        "2": "Frankenstein",
        "3": "ian"
      },
      "expansion": "Frankenstein + -ian",
      "name": "suffix"
    }
  ],
  "etymology_text": "From Frankenstein + -ian.",
  "forms": [
    {
      "form": "more Frankensteinian",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most Frankensteinian",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "Frankensteinian (comparative more Frankensteinian, superlative most Frankensteinian)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "related": [
    {
      "word": "Frankensteinish"
    }
  ],
  "senses": [
    {
      "categories": [
        "English adjectives",
        "English entries with incorrect language header",
        "English eponyms",
        "English lemmas",
        "English terms suffixed with -ian",
        "English terms with quotations",
        "Pages with 1 entry",
        "Pages with entries"
      ],
      "examples": [
        {
          "ref": "1999, Niall Griffith, Peter M. Todd, Musical networks: parallel distributed perception and performance, page 313:",
          "text": "But when, with Frankensteinian hubris, we dare to create an artificial system and imbue it with the spark of musical invention in our stead, how are we to assemble its constituent parts to ensure that its behavior will be on the whole pleasing and majestic[…]?",
          "type": "quote"
        },
        {
          "ref": "2022 June 2, A. O. Scott, “Are the Movies Liberal?”, in The New York Times, →ISSN:",
          "text": "Moviegoing is no longer what it used to be, and the machinery that fed it is at present a Frankensteinian hybrid of tech, media, private equity and precarious labor.",
          "type": "quote"
        }
      ],
      "glosses": [
        "Of or pertaining to Mary Shelley's fictional Frankenstein, who created a monster from human remains."
      ]
    }
  ],
  "word": "Frankensteinian"
}